同性恋不是变态东西，变态的是他所活着的社会

《同性恋不是变态东西，变态的是他所活着的社会》讲述的是什么故事？

《同性恋不是变态东西，变态的是他所活着的社会》ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade. 本页整理高清播放地址、剧情介绍、演员阵容、更新时间和相关推荐，方便观众快速了解并继续观看。

一、《同性恋不是变态东西，变态的是他所活着的社会》是哪一年推出的？

《同性恋不是变态东西，变态的是他所活着的社会》是罗萨·冯·布劳恩海姆参与创作的剧情片作品，1971年在西德地区上线。

二、《同性恋不是变态东西，变态的是他所活着的社会》演员阵容如何？

该片由Berryt Bohlen,Bernd Feuerhelm,Ernst Kuchling,Norbert Losch等演员主演，角色关系、叙事节奏和类型表达共同构成主要看点。

三、在哪里可以观看《同性恋不是变态东西，变态的是他所活着的社会》？

私人影院（www.zhengyinmusic.com）提供《同性恋不是变态东西，变态的是他所活着的社会》在线播放入口，并整理完整选集和播放线路。

四、如何评价《同性恋不是变态东西，变态的是他所活着的社会》？

从剧情推进、演员表现和观影节奏来看，《同性恋不是变态东西，变态的是他所活着的社会》适合喜欢剧情片内容的观众。

五、《同性恋不是变态东西，变态的是他所活着的社会》的主要看点是什么？

《同性恋不是变态东西，变态的是他所活着的社会》的看点集中在人物关系、故事冲突和类型氛围上。无论是Berryt Bohlen,Bernd Feuerhelm,Ernst Kuchling,Norbert Losch的表演，还是罗萨·冯·布劳恩海姆对节奏的处理，都让这部剧情片具备较强的观看吸引力。

六、《同性恋不是变态东西，变态的是他所活着的社会》适合哪些观众观看？

如果你平时喜欢剧情片、关注西德影视作品，或者想查找1971年上线的高热度片源，那么《同性恋不是变态东西，变态的是他所活着的社会》会是一个值得加入片单的选择。

七、《同性恋不是变态东西，变态的是他所活着的社会》播放线路是否完整？

本站会根据现有片源整理《同性恋不是变态东西，变态的是他所活着的社会》的播放线路、选集目录和更新状态。进入播放页后，可以按照线路切换、剧集顺序和当前集数继续观看，页面也会尽量保持清晰的选集结构。

八、《同性恋不是变态东西，变态的是他所活着的社会》和同类型作品相比如何？

在同类剧情片作品中，《同性恋不是变态东西，变态的是他所活着的社会》凭借题材设定、演员阵容和剧情推进形成了自身辨识度。对于正在查找剧情片推荐、高清播放地址和剧情资料的用户来说，本页信息可以作为观影前参考。

九、《同性恋不是变态东西，变态的是他所活着的社会》页面收录了哪些资料？

当前页面收录《同性恋不是变态东西，变态的是他所活着的社会》影片名称、类型、年份、地区、导演、主演、剧情简介、播放入口、相关推荐和上下部影片信息，方便搜索用户快速判断是否继续观看。

十、为什么推荐观看《同性恋不是变态东西，变态的是他所活着的社会》？

《同性恋不是变态东西，变态的是他所活着的社会》在故事完整度、人物表现和类型娱乐性方面都有一定优势。私人影院会持续整理该片相关高清资源和更新信息，方便用户收藏、搜索和再次观看。